Matematika Poker – Bagian 6 – Menganalisis All-In EV (Beberapa Lawan)

Anda sekarang menggunakan informasi dalam formula EV standar dari Bagian 4 dan 5:

EV = ($menang dari pot) + ($menang dari taruhan) – ($kalah dari taruhan)

($  di menang dari pot)

Hitung seberapa sering pot akan dimenangkan (win %) dan nilai dari % menang (win $), tetapi hitung masing-masing dari 4 opsi secara terpisah.

Pot menang% (Panggilan + Lipat) = 0,15 x 0,47 = 0,07 = 7,0%

% Pot menang (Fold + Call) = 0,525 x 0,55 = 0,28875 = 28,9%

Pot menang% (Panggilan + Panggilan) = 0,10 x 0,30= 0,03 = 3,0%

Pot menang % (Lipat + Lipat) = 0,225 x 100,0 = 0,225 = 22,5%

Total kemenangan pot % = 61,40% (7.0 + 28.9 + 3.0 + 22.5)

Pot menang $ = $95 x 61,40% = $58,33

Oleh karena itu ($ menang dari pot) = $58,33

($ menang dari taruhan)

Identifikasi seberapa sering, rata-rata, Anda MENANG pot ketika lawan memasukkan berbagai jumlah uang ke dalam pot ($ x % peluang panggilan atau naikkan x % ekuitas untuk setiap acara):

Lawan 1 Panggilan = $172 x 15% x 47% = $12,13

Lawan 2 Panggilan = $72 x 52,5% x 55% = $20,79

Panggilan 1 dan 2 = $244 x 10% x 30% = $7.32

Oleh karena itu ($ menang dari taruhan) adalah $40.24 (12.13 + 20.79 +7.32)

($ kalah dari taruhan)

Identifikasi seberapa sering, rata-rata, Anda KEHILANGAN pot ketika lawan memasukkan berbagai jumlah uang ke dalam pot ($ x % peluang panggilan atau kenaikan x % NO ekuitas untuk setiap acara):

Lawan 1 Panggilan = $192 x 15% x 53% = $15,26

Lawan 2 Panggilan = $122 x 52,5% x 45% = $28,82

Panggilan 1 dan 2 = $192 x 10% x 70% = $13,44

Oleh karena itu ($ kalah dari taruhan) adalah $57,52 (15,26 + 28,82 + 13,44)

(Total EV $ Nilai)

Tambahkan hasilnya bersama-sama:

TOTAL EV = $58,33 + $40,24 – $57,52 = $41,05

Catatan penting

1. Selalu ingat untuk menimbang keuntungan atau kerugian yang diharapkan dengan % kemungkinan terjadinya peristiwa.
2. Jika EV menguntungkan, itu mungkin BUKAN yang PALING menguntungkan karena mungkin ada skenario yang lebih menguntungkan (termasuk fold).
3. EV dapat beroperasi secara terpisah dalam permainan uang, tetapi dalam MTT mungkin ada pertimbangan turnamen yang mengesampingkan EV dalam keputusan akhir tentang tindakan apa yang harus diambil.

The Tale of This Gamble House

Southern California across the turn of the 20th century has been that the birthplace of the Craftsman movements. This design propagate fast throughout the nation and grew to become the overriding style seen in little residences built between 1905 and 1920. This was a mode that was available to and affordable for virtually all, regardless of whether wealthy or working course.

Taking most of its inspiration from the architecture of Pasadena, CA brothers Henry and Charles Greene, Craftsman domiciles have been a substantial change from your ornate Victorian homes instyle at that moment; point. These homes aimed to present a link with nature and also a newfound ease of style and design.

Maintaining their cue from nature, Craftsman homes looked like part of the natural environment. Overhangs offered respite in summer heat and winter chills แทงบอลออนไลน์. Style and design elements were taken from natural ideas – wooden wall design, stepping stone and inside decoration schemes that reminded one of outside.

The Greene brothers were first influenced by Frank Lloyd Wright’s Prairie Design as well as the design of H.H. Richardson. The Greenes also took inspiration from Japanese functional home philosophy. The properties were assembled to be flexible for the changing requirements families and designed to integrate as tightly as you can into their environment. Along side your affects, the brothers took several clues by your English Arts and Crafts movements – the sum of each one of these influences was that which we all know these days as that the California Bungalow.

The Gamble dwelling in Pasadena is universally acknowledged as their own master piece. Built in 1908, this dwelling utilizes exposed joinery that appears to grow organically out of the house, verandas and a integration of home and garden to incorporate your dwelling in to its exterior setting. Exceptional at some time in its asymmetry, your dwelling appears almost an all pure, instead of an architectural miracle. The exposed rafters, triangular braced supports and transomed windows are typical hallmarks of the Craftsman model.

One is struck with the beauty of the Gamble property immediately at front door. You appear to visit a manifestation of a bamboo tree . The cloud lifts and Tiffany Glass (from Louis convenience ) are a sign of the beauty of emerge. There is really a unifying subject of flat lines; this begins using the pubs underneath the transoms and is repeated through your residence in many windows.

Upon entering the home, at this point you see the same pine tree from the interior – there is a feeling of still beige outdoors. The stained glass of the front door changes with all the light of the day over the hours. The major attraction of this inner is the wood joinery. There is not a solitary crevice subjected here; the scarf, finger and lap joints are typical impeccable.

The rustic, Japanese inspired style and functionality of the home is shown most useful throughout the extensive built-ins added from the Greenes. You’ll find drawers developed in to the dining table place for storage along with other applications. Even the Greenes had been quite concerned with developing a unified appearance and texture for your own dwelling; thus so that they even built most of their furniture, so prompting the occupants interrupt the ambience with furniture which was maybe not totally appropriate for their eyesight of your residence.

The flat themes are taken on throughout the living area. There’s also a recurring motif of threes to become noticed in your home – there are just three stained glass windows, three-dimensional wooden bits where the wall meets the ceiling, and three more tiles on either side of the hearth and thus on.

The windows here also continue the tree motif of their front door and change colours on the plan of this day. The table and chandelier are all fitting in contour (suba). Most the House’s furniture has been made from the Greene brothers or by Gustav Stickley. The walls are covered in material then painted . Carpets were also inserted to get colour.